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I have
been experimenting with classicism, both in technique and topic. A golden age in Eden, a subject I did extensively in
my youth, calls me back .

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| Conservatory lll 36 x 48 o/l |
These paintings are new for me because they depend on drawing and
tone to establish the composition and set the emotional stage. I enjoy composing with a limited palette because once
color is eliminated as a tool for establishing space and feeling, drawing and geometry become important and intriguing allies.
The spring is so beautiful this year, even I have fallen in love.
After painting thousands of paintings with millions of brushstrokes, the knowledge of painting
seems to flow in me from my fingertips back to my mind.
Doing color-driven work will always be an intense love affair for me, To coax
and lead color to be a language of its' own is exhilarating and energizing.
"One has always to spoil a picture a little bit in order to finish it."Eugene Delacroix-
This is one of the reasons I work the way I do, I want my work to be unconfined
by working one bit past the essential.MMT
Sometimes I think the trouble with modern art is that it isn't modern.Sometimes I think the trouble is that it isn't
art. Art is not about ideas.MMT
Art is too complicated to be explained by words- it can only be explained by art.
michelemartintaylor * 208 E.6th #2* NYC * US * 10003copyright by artist
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The master in the art of living makes little distinction
between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love
and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving
others to decide whether he is working or playing. To him he's always doing both.
-James A. Michener |
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